In this previous post, I talked about breaking my gesture drawing studies into two areas—"scribble" gestures and "spaghetti" noodle gestures—and discussed the scribble method in detail.
Now about the spaghetti noodle method…
I use the term "spaghetti noodle" instead of "stick figure" because stick figure implies straight, stiff lines, the opposite of what we're trying to achieve.
Instead, we want to draw curvy, rhythmic lines that quickly capture the action and feeling of the figure.
With only one full week of practicing these two approaches, I feel that I'm seeing the figure more clearly. The blocking exercise has me seeing the various shapes that make up the figure and the gesture exercises have me capturing the figure's body language quickly.
If you want to improve your figure drawing, I recommend practicing gesture drawing until it becomes second nature. This will most likely take years or months but you'll be a better draftsperson as a result.
Now about the spaghetti noodle method…
I use the term "spaghetti noodle" instead of "stick figure" because stick figure implies straight, stiff lines, the opposite of what we're trying to achieve.
Instead, we want to draw curvy, rhythmic lines that quickly capture the action and feeling of the figure.
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| Stan Prokopenko's "spaghetti noodle" 30 second gesture. |
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| Steps in the Samantha Youssef gesture drawing method. |
With only one full week of practicing these two approaches, I feel that I'm seeing the figure more clearly. The blocking exercise has me seeing the various shapes that make up the figure and the gesture exercises have me capturing the figure's body language quickly.
If you want to improve your figure drawing, I recommend practicing gesture drawing until it becomes second nature. This will most likely take years or months but you'll be a better draftsperson as a result.